I can do without CD Burning and all that. Most everyone uses virtual instruments sometime or another in their workflow, if for no other purpose than to easily set up and "audition" possibilities to be recorded later with session musicians. and no ReWire? Seriously? Pretty much every project I record uses a combination of MIDI and audio tracks these days. And it sucks I have to edit those 8-10 tracks individually when I want to do the same edits and fades to the whole group. ![]() No grouping of clips? Really?!!! Have you ever tried recording drums with more than one mic? Yeah, so has everyone else in the universe. But don't mess with the features I came to expect from AA3.0. Upgrade that if you will and send the A/V guys there. and there's no telling whether the old and new girlfriends will get on in the long run either. You got on quite well with the old girlfriend, and she actually liked the junk.īut I wouldn't worry too much about it, because everybody knows that however hard she tries, the new girlfriend can't make you stick to her new rules for ever - your real self will come through in the end, and she'll just have to like it or lump it. New girlfriend is a bit flighty, and given to temper tantrums - wants you to throw out all your old clothes and junk, and get a new wardrobe and smartened up. So in this case, the new girlfriend is the CS and its video users, and the audio-only users are the old one. It's a bit like getting a new girlfriend, whilst still trying to stay friends with your old one - not easy. Music?!* Bah.Īround here, the noise that happens in elevators is universally referred to as 'musak' - to differentiate it from anything with any actual musical merit.īut to your main point - well, whilst I have a lot of sympathy for what you are saying, I think that the real emphasis is perhaps a little different. I must wonder: does Adobe hate musicians? Surely, some high profle posters here doesn't actually argue against that POV. is of course still(sic!) possible to use in your soundtrack - although for how long ? Straight acoustic recordings of classical / jazz / folk etc. Some will not call this approach "music" - and it appears they've won. *That is: music created from various wave recordings and treated within one single environment, like Audition, where one would use a mixture of acoustic recordings, treatments and electronic sources. Adobe really wants me to start saving up for Nuendo now. ![]() ![]() A lot of athmospeheric sounds and sound effects are done with MIDI and VST instruments like Absynth for instance.Ī lot of the features of the new Audition looks promising, and I'd like to start using them, but this is too stoopid. Elevator music is also music ya know.įorgetting about contemporary creation of music (and they have!), even soundscapes will be more difficult now. The new Audition can work with canned loops out of the box only (AFAIK they now even can't auto fit to a session tempo). Now, with so many features being removed, I must wonder: does Adobe hate musicians? Surely, some high profle posters here doesn't actually argue against that POV. Audition is the logical hub, and also a great tool for this. That way you can create original music and soundscapes using Audition's wave editing capabilities directly and also its Multitracker, with video or not. Because you would be able slave your favourite dedicated MIDI sequencer instead. No MIDI (instead of improved MIDI) in the new Audition is kind of 'acceptable'.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |